![]() ![]() Often at some point, the character struggles with conflicting belief systems. There is usually a flaw, weakness, or misbelief the protagonist and/or another key character has and is struggling to overcome, which helps make up the character's arc. In regards to plotlines, you may have heard this called the "inner journey." I'll also share a few things about each along the way.Īt the most intimate level, we have person vs. But today I've put together a comprehensive list of the most prevalent categories-and I think just about any conflict will fit within one of them. And indeed you can find arguments about what does and does not count as a conflict type (and some types can overlap). If there is no antagonistic force, no climax is earned.Įarly on in my writing journey, I was only introduced to five types of conflict. If there is no opposing argument, the theme never carries its weight. If there is no struggle, the character never grows. Variety gives a story more depth and breadth-and also keeps things interesting.Ĭonflict is key in moving plot, character arc, and theme forward-in other words, the whole story forward. Like always, I'm never going to say you can't ever do this, but just that it's almost always more satisfying if you put in a variety. ![]() Sometimes the writer senses that there is something wrong, so tries to add more to the story, but they end up either adding more to the same conflict, or simply adding the same type of conflict. This can make a story feel flat or repetitive (similar to what I touched on in my plotlines post). But sometimes writers get hyper-focused on one or two types of conflict, and never explore or include the other types. ![]() Every story needs a character in a setting engaged in conflict. ![]()
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